![stereo mix plus microphone stereo mix plus microphone](https://www.windowsdigitals.com/wp-content/uploads/How-to-enable-Stereo-Mix-in-Windows-10.jpg)
Similarly, precedence is easy to understand a sound coming from the left will reach the left ear before it reaches the right. Loudness is pretty apparent -if a sound source is to our left, the left ear will hear it more loudly than the right. The three most obvious factors used by our ears are differences in loudness, precedence, and phase.
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The fancy term for this effect, which has been studied in great detail, is the head-related transfer function or HRTF. The head itself is vital to stereo perception: the same sound comes to one ear directly but must pass around the head to reach the other, and the brain correlates these different timbres to precisely localize a sound source. For example, the pinna (the fleshy part of the outer ear) affects how audio travels down the ear canal, its particular shape dictating how we place sounds not only from left to right, but also above or below, before or behind. They have evolved to use seemingly irrelevant information to great effect. Our ears and brain form a complex interactive system for judging music localization. Making these choices is easier when we take a moment to study the world’s first stereo miking setup: our ears. Sphere 180: coincident recording with the Sphere L22 microphoneĬhoosing the right one isn’t always obvious, even though we do offer suggestions on where to start.We’re going to explain the top 5 stereo microphone techniques to make great recordings.
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It’s taken many years for engineers to develop consistent and reliable methods for stereo capture. After all, we have two ears and stereo has two speakers! For decades our recorded music has been delivered and played back in stereo, but that doesn’t mean that capturing music effectively in stereo is a trivial operation. Most of us take the stereo listening experience for granted.